#You me and bobby mcgee how to#
#You me and bobby mcgee driver#
#You me and bobby mcgee free#

I'm going to scroll down here so I can see the chords. You don't need to do anything strange, but things get tougher in the second half of the song. So that'll smooth out your transitions in between the D chord and the other chords in the song. So that's with our middle finger, we're picking that G chord and then fretting with our middle finger on the third string, second fret, which gets us into the D7/F# and then we do the opposite to get back out of it back to the G chord, we left that middle finger early to get back to the G, so it's like 6-43-624, lift, back into the G chord. But with the D7/F# you gotta fret that third string, second fret and so as you move into it, like from the G chord, you want to do the smooth fret move, which is fretting that third string, second fret early like this. Because that open third string is going to ring through your chord change, it's going to sound fine. You know, when you go from G to C, you've got an open third string and so you don't need to do anything special going in and out of those chords. First of all, the usual suspect for dealing with smooth moves in a key of G song is the D chord in this case, the D7/F#. OK, so let's talk about your smooth moves. And I just chose this voicing instead of D/F# just because I thought it sounded cooler in this part of the song. So you pick it the same way you would pick like an A chord. You're alternating between the fifth and fourth strings with your thumb. But then, you're picking the D like that where your first note with your picking pattern is on the fifth string. with the chord, which makes it a little less crowded.ДЄnd then the D/A is just a normal D. You can also use your first and second fingers. All of those strings are open.ДЄnd then there's an A7 in the song, and if you use the normal A fingering, you just lift your middle finger. That's your second finger on the fifth string, second fret, first finger on the third string, first fret. Any of those work.they do limit your ability to smooth out your chord changes, but it's not the end of the world if you have to use those.ДЄnd then E7, you may not know.if you know an E chord, though it's just an E chord with your third finger lifted up. And you can also do the bratwurst bridge, which just use one finger and barre those second, third and fourth strings. You can stagger your fingers with your first finger on the third string, second fret, second finger on the fourth string, second fret, third finger on the second string, second fret. There are a variety of A options for people like that. So we have an A chord which might be a little crowded for some people with wide fingertips. You get a G7.isn't that cool sounding?ДЄnd then at the key change, we go to key of A. So that pinky is really freed up, and when you get to the part where you change from the G to the G7, you just drop that pinky in on the fourth string, third fret. We're using the pattern number three, same pattern is all the songs in this part of the course. So if you're grabbing this G chord, the way I recommend, you really don't need your pinky on the first string, third fret because you're not hitting that string with this picking pattern. And then the G7 here is a really cool kind of finger style specific fingering.

#You me and bobby mcgee free#

Feel free to use your alternate fingering if you can't grab with the thumb. The D7/F# you already know from earlier in the course. I like this fingering as you know, for Travis picking it frees up the other fingers to do smooth moves and chord-melody stuff later on. I want to go through each of the chords in the song. So if you like this song, let's go for it. And that's mainly because there is a key change halfway through the song, but I think it's still manageable for a lot of guitarists anyway.

OK, so this song is a little bit harder than the other songs in this part of the course because it's got a lot of chords in it. Nothing ain't worth nothing, but it's free.ДЇeeling good was easy, lord, when Bobby sang the blues.ДЄnd feeling good was good enough for me.

#You me and bobby mcgee driver#

We finally sang up every song that driver knew.ДЇreedom's just another word for nothing left to lose. With them windshield wipers slapping time and Bobby clapping hands,

I took my harpoon out of my dirty red bandanna.ДЄnd was blowing sad while Bobby sang the blues. I'm going to through the first chorus so you can see what I'm going to teach you.

#You me and bobby mcgee how to#

Let's learn how to try to Travis pick 'Me and Bobby McGee'.

вЂњYou Are My SunshineвЂќ Performance Track.

вЂњYou Are My SunshineвЂќ Slow Practice Track.

Using TravisVision: How to Decode Tablature.

Introduction to Part 2: Weaving in the Melody.

вЂњTake Me Home, Country RoadsвЂќ Song Lesson.

вЂњLeaving on a Jet PlaneвЂќ Performance Track.

вЂњLeaving on a Jet PlaneвЂќ Slow Practice Track.

Introduction to Part 1: Playing Picking Patterns.